Tag Archives: writing

How Much Does It Cost to Hire an Editor for a Novel? (An Honest Breakdown)

If you’re an author trying to figure out how much editing your novel will cost, you’ve probably seen some wide—and confusing—price ranges. I get it. As both a romance author and a professional editor, I’ve been on both sides of this equation.

The truth? Editing is one of the biggest (and best) investments you’ll make in your book. But costs vary a lot, depending on what kind of editing you need, who you’re working with, and how far along your manuscript is. I go through all these levels of professional editing for my own books and see it as a solid investment on making sure each of my books is the best it can be.

In this post, I’ll walk you through the five most common types of editing for novels, what each one includes, and what you can expect to pay—based on typical industry rates and personal experience.

💡 Note: These are general ranges. Editors set their rates based on experience, availability, specialization, and how much work your manuscript needs. Always check what’s included in the service before you book.

📚 The 5 Main Types of Editing for Novels

Before we dive into pricing, here are the main types of editing you’ll hear about:

  • Manuscript Evaluation (also called Manuscript Assessment or Critique among other names)
  • Developmental Editing
  • Line Editing
  • Copyediting
  • Proofreading

Each one serves a unique purpose in the revision process. They’re not interchangeable—though some terms do get used loosely (more on that below).

✨ Manuscript Evaluation (aka Manuscript Critique or Assessment)

What it is: This is high-level feedback meant to help you shape your next revision. You’ll get a written report that looks at plot, structure, pacing, character development, emotional resonance, tone, and voice.

You won’t get: In-line comments or direct edits—this is about the big picture, not the nitty-gritty.

Typical rate:
💸 $0.01–$0.03 per word
📌 Or a flat rate of $300–$1,000+, depending on manuscript length and depth of feedback.

I’m continuing my lowered NaNoWriMo rates into early 2026. My Manuscript Evaluation is priced at $0.005/word during this special.

📝 A lot of editors price this service as a flat fee rather than per word. It’s worth checking how they bill—and how detailed the evaluation will be.

Best for: Authors who’ve done a round or two of self-edits and want direction before diving into their next round of revisions.

💬 Heads up: This service varies widely. Some editors send a 2–3 page summary. Others provide a 10+ page editorial report. Always ask what’s included so you know what to expect.

👋 This is one of my favorite services to offer, especially for indie authors. I focus on your story’s big-picture elements: structure, character arcs, tension, pacing, voice, and more. See what’s included.

🧠 Developmental Editing

What it is: A story-level edit that dives deep into structure, pacing, plot arcs, character motivation, conflict, tension, and emotional payoff. You’ll usually get a combination of an editorial letter and margin comments inside the manuscript.

You won’t get: Polished prose—this is about what you’re saying, not how it’s worded (that comes later).

Typical rate:
💸 $0.02–$0.08 per word

I’m continuing my lowered NaNoWriMo rates into early 2026. My Developmental Edit is priced at $0.01/word during this special.

Best for: Authors who are ready to revise and want help strengthening the story itself—not just polishing the surface.

🧩 From experience: I’ve received developmental edits that came with hundreds of tracked comments in Word… and others that included just a few pages of general notes. Neither is wrong, but the expectations were completely different. Always ask how your editor delivers feedback—and how hands-on they’ll be.

✍️ I offer developmental editing that includes an editorial letter, in-line comments, and chapter-by-chapter insights—designed specifically for novels. More details here.

✍️ Line Editing

What it is: A sentence-level edit that focuses on how the story is told. This is where your voice, tone, rhythm, emotional resonance, and clarity are refined. Line editors help make your prose stronger without changing your style.

You won’t get: Grammar correction alone (that’s copyediting) or major story feedback (that’s developmental).

Typical rate:
💸 $0.02–$0.06 per word

I’m continuing my lowered NaNoWriMo rates into early 2026. My Line Editing is priced at $0.01/word during this special.

Best for: Authors with a solid draft who want to elevate their prose and make each sentence shine. This should only be done after your story is complete and you are looking to polish things at line-level, not making changes to the story (like plot).

✨ Line editing is creative work. It’s where the writing gets elevated—not corrected. I offer line editing to help you tell your story even better!

🛠️ Copyediting

What it is: A technical clean-up. Copyediting focuses on grammar, punctuation, spelling, syntax, consistency, word usage, and clarity. It makes sure everything is accurate and reads cleanly.

You won’t get: Rewritten sentences or structural notes—this is a rules-based, detail-oriented polish.

Typical rate:
💸 $0.01–$0.04 per word

I’m continuing my lowered NaNoWriMo rates into early 2026. My Copyediting is priced at $0.007/word during this special.

Best for: Authors whose story and prose are solid, and who are ready to prep for publication.

🔍 Copyediting also checks for consistency—like making sure your character’s eye color doesn’t change halfway through the book or that you’re not accidentally switching tenses. My copyediting service will clean up your book so it will read clean and clear.

🔍 Proofreading

What it is: The final polish. Proofreading happens when you’re ready to publish, and it catches typos, minor punctuation issues, and leftover errors that slipped through previous rounds.

You won’t get: Rewrites, feedback, or major changes. This is the very last step.

Typical rate:
💸 $0.005–$0.02 per word

I’m continuing my lowered NaNoWriMo rates into early 2026. My Proofreading is priced at $0.004/word during this special.

Best for: Final manuscripts that have already been professionally edited and are ready for publication.

🧼 This isn’t where you fix plot holes. This is your last editing stop before the book is ready for publication. My proofreading service will do a final polish on your manuscript prior to publication.

🤔 What About Combo Line Edits & Copyedits?

This is a common question: Can I hire someone to do both line editing and copyediting at once?

Short answer: Sometimes. But proceed with caution.

Some editors offer a combo line + copy edit to save you time and money. And that can work—especially if your manuscript is clean and the editor is experienced. But here’s the catch:

Line editing and copyediting are two different skill sets.
One is creative and interpretive. The other is technical and rule-bound.

When an editor tries to do both at once, there’s a higher risk of missing things. It’s hard to zoom in and out at the same time. Even excellent editors will tell you: a second pass catches what the first missed.

If you do go for a combo edit, ask whether the editor offers a quick follow-up proofread or discounted second pass. Sometimes editors will do one pass as a line edit and then a separate pass as a copyedit; always ask questions if you aren’t sure and have a preference. Many combo edits are done in one pass, often saving time for both the editor and the author.

I’ve used editors that do combos like this, but I always make sure to go through two rounds of these edits, just to be certain. Either a line edit and then a combo, two combos, or a combo and then a copyedit. (I always follow it up with a proofread.) This ensures nothing is missed.

As an editor, I prefer to not perform these as a single service, but as separate services. Clients are encouraged to book both services, of course, but I prefer to pass the manuscript back after a line edit so the author can make changes and then send it back to me for a copyedit. Very recently in early 2026, I did decide to offer a combo service for clients who are on a tighter deadline and wish to have both services completed in one pass.

💰 Summary of Typical Editing Rates for Novels

Editing TypeRate (Per Word)Flat Rate Example
Manuscript Evaluation$0.01–$0.03$300–$1,000+ (flat possible)
Developmental Editing$0.02–$0.08
Line Editing$0.02–$0.06
Copyediting$0.01–$0.04
Proofreading$0.005–$0.02

📝 Editors price based on manuscript length, depth of edit, schedule, experience, and sometimes even genre. You’ll see rates higher and lower than the above, and that’s okay! Don’t be afraid to ask for a quote that fits your project.

📊 According to the Editorial Freelancers Association (EFA):
Their posted average rates (as of 2024) fall within these ranges:

  • Developmental editing: $0.03–$0.07/word
  • Line editing: $0.03–$0.06/word
  • Copyediting: $0.02–$0.04/word
  • Proofreading: $0.01–$0.029/word
  • Manuscript critique: Often billed hourly at $45–$80/hr (which often translates to $0.01–$0.025/word depending on length and depth)

📝 Of course, many freelance editors charge outside those ranges—especially if they’re highly experienced, specialize in a genre, or include extras like chapter-by-chapter notes or email follow-ups. Always ask for a breakdown of what’s included.

👩‍💻 What I Offer as an Editor (In Case You’re Curious)

I work with fiction authors at every stage—whether you’re writing a first draft, polishing a messy draft, ready for in-depth edits, or looking at line-by-line edits. Here’s the full breakdown of my 9 services, listed in the order they appear on my site:

  1. 📝 First Draft, First Reader – Chapter-by-chapter support while you draft, including in-line comments and quick reactions to keep you motivated and on track.
  2. 🧠 First Draft Deep Dive – A one-time full-manuscript read with a concise, high-level editorial report to help guide your next round of revisions.
  3. 📘 Professional Alpha Reader – A structured story-level report with answers to 22 core questions (plus custom insights based on your manuscript).
  4. 📊 Manuscript Evaluation – A multi-page editorial critique analyzing your story’s structure, character arcs, pacing, and emotional payoff.
  5. 👀 Professional Beta Reader – Reader-style feedback with 80+ story questions covering emotional resonance, pacing, and reader satisfaction.
  6. 🔨 Developmental Editing – Scene-level editing with tracked comments, a focused editorial letter, and chapter-by-chapter notes. This in-depth service helps you refine structure, emotion, and character growth.
  7. 🖋️ Line Edit – Sentence-level editing to improve clarity, rhythm, tone, and flow—strengthening your voice while preserving your style.
  8. ✏️ Copyedit – A technical polish focused on grammar, punctuation, and consistency. Includes a personalized Style Sheet documenting all editorial choices for your manuscript.
  9. 🔍 Proofread – A final surface-level pass to catch lingering typos, punctuation slips, and minor inconsistencies. Perfect for clean, edited manuscripts that are ready for publication.

Plus, I offer Manuscript Loyalty Pricing—up to 20% off when you book multiple services for the same manuscript. (The services can be booked at any time, no commitment, no pre-paying for several services in advance.)

📍 You can dive into every service, see rates, and compare turnaround times on my services page: natashadubois.com/editorial-services.

🗺️ My 11-Step Novel Writing Plan (That Works Across Genres)

I also use—and encourage—an 11-Step Novel Writing Plan that helps me write my own books. It’s flexible and effective for any genre. You’ll find where each of my services fits into the writing and revision process, from outline to release.
Explore the full plan here: My 11-Step Novel Writing Plan →

✨ Final Thoughts

Hiring an editor is a big, and often smart, step forward. But it’s not just about finding someone to revise your words; it’s about getting the right kind of help at the right time. That’s why I’ve designed each of these services to fit into a larger roadmap—so you can get support exactly when you need it, and benefit from discounts as you go.

Authors, Writers, and Novelists: Want to work with someone who gets it as a published author, voracious reader, and professional editor?

💌 Contact me to talk through where you are, what you need, and how I can help your story flourish.

Good editing isn’t about rewriting your story—it’s about helping you tell it better.

Happy reading, writing, and editing,
Natasha Dubois

Start Your Romance Novel This Summer—Publish by Next Summer

You’ve read a hundred love stories.
You’ve highlighted your favorite quotes.
You’ve sighed at perfect endings and stayed up way too late whispering, “Just one more chapter.”

But lately… you’ve been wondering:
What if you wrote your own romance novel?

Maybe you have a story idea tugging at your heart.
Or maybe you’re just tired of waiting for someone else to write the exact story you want to read.

If that’s you? This summer might be the perfect time to try.

💖 Romance Reader to Romance Writer? Yes, You Can

You don’t need a creative writing degree.
You don’t need a perfect outline or flawless grammar.
You just need one thing: a willingness to start.

Writing a romance novel can feel overwhelming—but it doesn’t have to be.
The truth is, you don’t need to have it all figured out. You just need a plan.

That’s why I created my 11-Step Romance Writing Plan—the exact roadmap I use to take every one of my books from idea to release. Whether you’re an avid reader ready to try writing or a writer looking for structure, this plan will guide you one intentional step at a time.

Imagine this:
You start writing your romance novel this summer.
You revise and polish through fall and winter.
By next summer, you could be holding your finished book in your hands.

🕒 “Can I Really Go from Idea to Published Book in a Year?”

Yes, you can!

In fact, I take most of my romance novels from outline to publication in just 3 to 4 months. (Yeah, those pre-orders that I set up a year in advance? Not even outlined yet.)
That includes every step of my 11-Step Romance Writing Plan: drafting, revising, alpha reading, beta feedback, developmental edits, and final polish. Yes, that includes 5 rounds of professional edits, too.

Of course, not everyone writes at the same pace—and you don’t have to rush. But with structure, support, and a little consistency?
One year is absolutely enough time to write, revise, and publish a romance novel you’re proud of.

And I’d love to help you do it. I even have a Manuscript Milestone Planning service where I work with you to create reasonable, reachable deadlines for your book.

🪜 From Story Spark to Satisfying Ending

Here’s a glimpse of the writing path I follow—and help other authors walk through, too:

Outline → First Draft →Self-Edits Alpha Reading → Manuscript Evaluation → Beta Reading → Developmental Edits → Line Editing → Copyediting → Proofreading → ARC Readers → Release

And in between every step? Revisions. Growth. Deeper characters.
More swoon. More spice. More heart.

Whether you’re writing for fun, self-publishing your first book, or chasing the story that just won’t leave you alone—there’s room for you here.

✨ I’m Here to Help (Wherever You’re Starting)

I’m a romance author and a professional editor who works with indie romance writers or writers looking to query. Whether you’re just starting to outline, midway through a messy draft, or unsure what comes next, I’ve built affordable, flexible editorial services to support you every step of the way. Whether all you know is that you want to write a romance novel but don’t know where to start, or if you’re gearing up for an in-depth developmental edit, I’ll help you get sorted out.

💌 I offer free consultations, too—so we can figure out your next step together.

And right now, I’m offering a special June sale across all editorial services. (It’s seriously a deep discount and I’m so sorry if I close it early since I only have limited slots available for editing.)

💬 Ready to Write the Love Story You Want to Read?

This might be your summer to finally start writing.
Not for perfection. Not for pressure. Just for you.

Because if you can’t find the exact romance you want to read… maybe it’s because you’re meant to write it.

👉 [Check out my 11-Step Romance Writing Plan]
👉 [Explore Editorial Services + June Sale Details]
👉 [Or contact me for a free, no-pressure consultation]

Let’s make this your summer of love—the kind you write yourself.
💗 You’ve got this!

Happy reading (and writing),
Natasha Dubois

Do Romance Novels Need a Happily Ever After? YES—Here’s Why It Matters to Readers and Writers

If you’ve ever read a romance novel, you probably know the feeling. (And, if you haven’t, what are you waiting for? May I nudge you towards my books?)

That swoony sigh when the couple finally admits their love.
The smile you can’t hold back when the last chapter wraps with a kiss, a promise, a future.
The warm, giddy satisfaction of knowing everything is going to be okay. They’re overcome their obstacles and now everything is dreamy and… perfect.

Whether you’re a diehard romance reader or a writer working on your own love story, one thing is clear:
A romance novel needs a happily-ever-after (HEA) or happy-for-now (HFN) to actually be a romance. No exceptions.

Let me say this again for the people in the back that want to come at me with a ‘but’: A ROMANCE NOVEL NEEDS A HAPPILY-EVER-AFTER OR HAPPY-FOR-NOW ENDING.

No, there really aren’t any exceptions. A ‘love story’ and ‘romance’ aren’t necessarily synonymous. A love story may be a romance novel, or it may be women’s fiction. Yet a romance novel will always be a love story. For example: a pair of shoes may be sandals, but not always, yet a pair of sandals will always be shoes.

Let’s talk about why that matters—for readers who crave emotional payoff and for writers who want to deliver it.

💞 The Promise of Romance: What Readers Expect (and Deserve)

Romance is the only genre where readers know exactly what they’re signing up for—and that’s part of the magic.

While the setting, heat level, tropes, and characters may vary wildly, the core promise stays the same:
Two people will fall in love, and by the end, they’ll be okay. Together.

(Okay, maybe more than two depending on what you’re reading. But we’re keeping it simple here.)

That emotional certainty is why so many people turn to romance. Whether you’re escaping a stressful day or diving into your favorite trope at midnight, romance novels offer comfort, hope, and emotional satisfaction.

A romance reader knows that when they pick up the book, there is going to be a happy ending where the couple overcomes their obstacles, where everything comes together, where there is no heartbreak and only love. In that way, romances are often generally predictable because romance readers can rest assured that everything is going to get sorted out. That fight the couple had? It’ll be overcome. Their opposing goals? It’ll be figured out! Heroine can’t stay with the hero? Yes, she can! Hero doesn’t want to fall in love? Too bad… it’s happening!

I love to explain that romance novels are a safe way to experience the highs and lows of a romantic relationship because you know that everything is going to work out in the end and be okay.

If a book ends in heartbreak or separation, it might still be a compelling love story—but it isn’t romance. And calling it one risks leaving readers feeling betrayed. (Titanic may be a love story, but it isn’t a romance. Now if Rose let Jack get on that door…)

✍️ For Writers: The HEA Isn’t Optional—It’s the Genre Standard

If you’re a romance author (or aspiring to be one or just want to get into an author’s head), it’s important to understand that the HEA or HFN is non-negotiable. It’s not just a tradition—it’s the definition of the genre.

When a reader picks up your book expecting a love story with a satisfying ending, you’ve made an emotional promise. You can break their hearts along the way (in fact, please do—readers love the angst!), but by the final page, they want to feel restored.

If you give them that? They’ll come back. Romance readers are some of the most loyal readers in publishing, and once they trust you to deliver the emotional payoff they love, you’ve earned a reader for life.

❤️ What’s the Difference Between HEA and HFN?

Here’s a quick breakdown for readers and authors:

  • HEA (Happily Ever After): The couple ends up in a committed, lasting relationship—often married, engaged, or clearly building a life together.
  • HFN (Happy For Now): The couple is together and happy, but their long-term future is implied rather than explicitly locked in.
  • Both provide emotional closure and are required for a story to qualify as a true romance. The right choice depends on your subgenre, your characters, or whether the story is part of a series.

Whether you’re a reader or a writer, knowing which one you’re aiming for makes a huge difference in emotional tone and story structure.

In many cases, a HEA ending will include something that makes the reader believe the couple’s future is guaranteed. This often comes across (usually in an Epilogue) as an engagement, marriage, pregnancy, or a big step like buying a home together (or even an Epilogue that looks at their life years from now, showing the reader the couple is still happy and together).

A HFN ending is sometimes preferred if the author doesn’t want to go for the good ole ‘married and pregnant’ angle (I’m joking, kind of, but also not really). It needs to be implied that the couple is happy, together, and it is a relationship that will last.

🚫 Not All Love Stories Are Romance

I already dipped my foot in this pool, but let’s at least lower our body into the water here. Let’s clear up one of the most common misunderstandings—especially for newer writers or casual readers:

Not every story with a romantic arc is a romance novel.

Some beautiful, emotional, or even heartbreaking stories focus on love but don’t end in an HEA or HFN. These are often classified as:

  • Women’s fiction
  • Literary fiction
  • Romantic tragedies
  • General fiction with romantic elements

Books like these can still be powerful, but they’re not romance—and labeling them as such can lead to disappointed readers and low reviews.

Like I said, Titanic is a love story, but not a romance. If Jack and Rose were both rescued, we’d be looking more into romance territory! Nicholas Sparks books aren’t necessarily romance because there is no guaranteed happy ending; sure, they pull at your heartstrings but do they give a happy ending and follow the structure of a romance novel (yes there is a structure)?

So whether you’re reading or writing, it’s important to know what qualifies as a romance novel: love and an emotionally satisfying ending.

🎯 Why This Matters—for Everyone

If you’re a romance reader, you choose to read this genre because you want to feel. You want the butterflies, the tension, the “oh no, what now?” moments—but most of all, you want the resolution that leaves you smiling as you close the book.

If you’re a romance author, understanding this expectation isn’t restrictive—it’s empowering. Delivering a satisfying ending is what turns a compelling draft into a story that resonates, one that gets bookmarked, reread, and recommended.

Curious how to take your romance novel from “I want to write a romance novel” to publication? 👉 Check out my 11-Step Romance Writing Plan for indie authors. It’s the exact process I use in my own novels. I’ve also mapped out the different editing services I offer and how they fit into my 11-steps.

📚 Love Happy Endings? You’re in the Right Place.

As both a romance author and romance editor, I care deeply about the emotional power of a satisfying ending. (And a romance reader, that’s what I want!) That’s why every one of my novels includes a guaranteed HEA or HFN—because I write for readers who want that full-heart feeling.

And if you’re writing a romance of your own?

✨ I offer editorial services designed specifically for indie romance authors, focused on structure, emotion, and delivering the payoff your readers expect.
👉 [Reach out for a free consultation—I’ll help you figure out the next right step for your book.]

Let’s make your love story unforgettable—for you and your readers. 💕

Happy reading (and writing),
Natasha Dubois

Is There a Romance Novel Dancing in Your Mind?

When I first started writing romance, I was lucky to have professional editors, alpha readers, and beta readers who helped me shape my stories into something stronger. That feedback didn’t just polish my prose—it sharpened my structure, deepened my emotional arcs, and showed me how to create a more satisfying reader experience.

It made all the difference. And it’s part of why I now offer the same kind of support to other romance authors.

As a published romance author myself, I understand the nuance of this genre—how it thrives on emotional payoff, believable chemistry, satisfying conflict, and structure that delivers a well-earned happily-ever-after. Whether you’re just sketching your idea or heading into your final revision, it helps to have someone in your corner who gets it.

💥 And here’s the exciting part…

Today Is the Final Day of My Memorial Day Editorial Sale!

For Memorial Day—and to fill a few unexpected gaps in my schedule—I’ve opened up a small number of last-minute editing slots for romance manuscripts that are ready to begin between now and June 9.

These are the steepest discounts I’ve offered yet, and they’re available only through today (May 28) or until the final spots are filled.

You’ll find sale prices across all 11 of my romance-specific editorial services, including:

  1. Manuscript Milestone Planning – Custom timelines to keep your novel on track
  2. Premise & Hook Strategy – Feedback on your story concept and reader appeal
  3. Conflict, Chemistry, & Clarity Check – Early-stage idea feedback
  4. Brainstorming & Plot Development – 1:1 story development session
  5. Outlines, Romance Beats, & Plot Feats – Big-picture feedback on plot structure and romance arc
  6. First Draft, First Reader – Chapter-by-chapter reactions as you write
  7. First Draft Deep Dive – A report on your messy draft to guide your revisions
  8. Alpha Reader – Big-picture feedback on your second draft
  9. Manuscript Evaluation – A deep editorial report across key craft areas
  10. Beta Reader – Reader-style feedback after revisions
  11. Developmental Editing – In-depth, scene-level editing with chapter-by-chapter notes

Whether you’re outlining or polishing your final draft, there’s something here to help you move forward with clarity and confidence.

🧾 View the full sale and discounted prices here → [Click Me!]

📌 Note: Prices are only updated on the sale page, not individual service pages.

🕓 Last chance! This sale ends tonight (May 28) at 11:59 PM ET or as soon as slots are filled.

Can’t Book Right Now?

If your manuscript won’t be ready in time or this week isn’t the right fit for your schedule, don’t worry—I’m still offering limited-time Introductory Pricing across all services for a little while longer. You can always check out my Editorial Services Overview to see what’s available.

Want writing tips, special offers, or first dibs on last-minute availability?
Subscribe to my writer-focused newsletter to stay in the loop.

A Note for My Readers 💌

Writing is still my primary focus—and always will be. These editorial services are something I offer on the side of my own books, because I genuinely love helping other romance writers shape their stories. My editing calendar is small by design so I can keep writing what you love, while also helping others bring their own love stories to life.

So if there’s a romance story dancing in your heart, maybe this is your sign to finally start—or take that next step.

Happy Reading,
Natasha Dubois